Nothing sounded dated about either Tilson Thomas’s edgy, dramatically alert musical language or Whitman’s poems, first ...

Seraphim utilized the space to its utmost in O nata lux de lumine by Kerry Andrew, the sopranos in the back apse initially ...

Sometimes good things come in threes. Other times, they happen in fours. Take the Boston Symphony Orchestra’s concert at Symphony Hall on Thursday night. There were, on the one hand, a trio of debuts: ...

Sometimes it’s easy to lose sight of the fact that, given the BPYO’s extraordinary talent level and their supposedly youthful ...

Back in 1986, Midori made the front page of The New York Times after a performance of Leonard Bernstein’s Serenade at Tanglewood resulted in two broken E strings and the then-14-year-old playing on ...

There is a common misconception about the music Ludwig van Beethoven wrote during the so-called “early period” of his career in the 1790s. To wit that, because he spent those years studying with Franz ...

On paper, the lineup for pianists Víkingur Ólafsson and Yuja Wang’s duo recital on Friday at Symphony Hall didn’t make much sense. John Cage and Conlon Nancarrow, for instance, don’t normally share ...

Some ballets, like The Rite of Spring, turn up on concert programs so frequently that it can be hard to imagine experiencing them in a theater. Gabriela Ortiz seems to have taken that reality to heart ...